History
Cosmic Jazz is a unique and innovative musical genre that blends jazz with electronic and psychedelic sounds. It is a relatively new genre compared to traditional jazz styles, and its roots can be traced back to the 1970s when jazz musicians started experimenting with new sounds and techniques.
The term "Cosmic Jazz" was first coined by the British DJ and producer, Gilles Peterson, in the 1990s. Peterson was the founder of the Acid Jazz record label, which was home to many experimental jazz musicians who were pushing the boundaries of the genre.
One of the pioneers of Cosmic Jazz was Sun Ra, a jazz musician and composer who claimed to be from Saturn. Sun Ra was known for his unique sounds and cosmic themes, which were incorporated into his music. He used a wide variety of instruments, including keyboards, synthesizers, and percussion, to create his own unique sound.
Another important figure in the development of Cosmic Jazz was the American trumpeter, Eddie Henderson. Henderson was a member of Miles Davis' band in the 1970s and was heavily influenced by the electronic soundscapes that Davis was experimenting with at the time. In the 1980s, Henderson went on to form his own band and released several albums that blended jazz with electronic music.
The fusion of electronic music and jazz continued to evolve throughout the 1980s and 1990s, with artists such as Herbie Hancock, Miles Davis, and Weather Report incorporating new sounds and technology into their music. At the same time, DJs and producers were incorporating jazz samples into their electronic music, creating a new style known as "acid jazz".
The term "Cosmic Jazz" became more widely used in the 1990s, with the rise of the Acid Jazz record label and the popularity of electronic dance music. The genre was characterized by a focus on electronic instrumentation, complex rhythms, and a sense of experimentation and improvisation.
One of the most popular artists in the Cosmic Jazz genre was the British DJ and producer, Sade. Sade's music was a fusion of jazz, soul, and electronic music, and her unique sound was heavily influenced by her Nigerian heritage.
Today, Cosmic Jazz continues to be a popular and influential genre, with many new artists incorporating electronic and psychedelic sounds into jazz music. The genre has also had a significant impact on other genres, such as electronic dance music and hip hop, with many artists sampling and remixing jazz tracks in their own work.
Notable artists
Sun Ra: is known for his space-themed jazz compositions and performances. He established his group, the Arkestra, which is known for its avant-garde and experimental approach to music.
Don Cherry: is a legendary trumpeter known for his fusion of international sounds into jazz. He collaborated with various artists, including Ed Blackwell, John Coltrane, and Ornette Coleman.
Alice Coltrane: is an American jazz pianist, composer, and harpist. She’s famous for incorporating a wide range of musical influences into her work and producing a spiritual and cosmic sound.
Pharoah Sanders: Pharoah Sanders is a tenor saxophonist known for his free-jazz style. He played with John Coltrane and helped push jazz into new, experimental sonic directions.
Herbie Hancock: Herbie Hancock is an American jazz pianist and composer known for his influential work that spans jazz, funk, and fusion. He’s a 14-time Grammy Award winner.
Wayne Shorter: Wayne Shorter is a renowned jazz saxophonist and composer who’s played with Art Blakey, Miles Davis, and Weather Report. He’s won 10 Grammy Awards for his work.
Chick Corea: Chick Corea is an American jazz pianist and composer known for his work as a member of Miles Davis's band and Return to Forever. He’s won 23 Grammy Awards.
Kamasi Washington: is a contemporary American jazz saxophonist and composer. He shot to fame with his 2015 album, The Epic, which featured a 10-piece band and three-hour runtime.
Thundercat: is an American bassist, singer, and songwriter known for his work with Flying Lotus. He produced his own acclaimed solo albums, including Drunk.
Nubya Garcia: is a contemporary British jazz saxophonist, composer, and bandleader. She’s a rising star in the jazz scene and has released several acclaimed projects in recent years.
Where to start
1. Miles Davis - Bitches Brew (1970)
2. John Coltrane - A Love Supreme (1965)
3. Sun Ra - The Heliocentric Worlds of Sun Ra, Vol. 1 (1965)
4. Herbie Hancock - Head Hunters (1973)
5. Pharoah Sanders - Karma (1969)
6. Alice Coltrane - Journey in Satchidananda (1971)
7. Weather Report - Heavy Weather (1977)
8. George Duke - The Aura Will Prevail (1975)
9. Lonnie Liston Smith - Expansions (1975)
10. Ahmad Jamal - Extensions (1965)
11. Wayne Shorter - Speak No Evil (1966)
12. Freddie Hubbard - Red Clay (1970)
13. Chick Corea - Return to Forever (1972)
14. Cannonball Adderley - Mercy, Mercy, Mercy! Live at "The Club" (1966)
15. Jaco Pastorius - Jaco Pastorius (1976)
16. Art Ensemble of Chicago - Les Stances à Sophie (1970)
17. Donald Byrd - Black Byrd (1973)
18. Gary Bartz NTU Troop - I’ve Known Rivers and Other Bodies (1973)
19. Eddie Henderson - Sunburst (1975)
20. Stan Getz - Captain Marvel (1972)
21. The Bad Plus - These Are the Vistas (2003)
22. The Comet Is Coming - Trust in the Lifeforce of the Deep Mystery (2019)
23. Snarky Puppy - Sylva (2015)
24. Kamasi Washington - The Epic (2015)
25. Christian Scott aTunde Adjuah - Ancestral Recall (2019)
Broader context
One of the most renowned authors who have written about Cosmic Jazz is Richard Cook. In his book, “Blue Note Records: The Biography,” Cook noted that: “Cosmic Jazz was like four-dimensional music that belonged to its own realm of colorful, other-worldly soundscapes. It opened up possibilities for jazz, which many of its contemporaries found liberating.”
Cook’s description of Cosmic Jazz as “four-dimensional music” highlights the experimental nature of this sub-genre. Unlike traditional jazz, Cosmic Jazz takes risks by infusing different elements from diverse musical traditions. This approach creates a unique and unconventional sound that is both exciting and refreshing.
Another author who has written about Cosmic Jazz is Ashley Khan. In his book, “The House That Trane Built: The Story of Impulse Records,” Khan noted that “In many ways, the Impulse! Record label was the perfect home for both Trane and Cosmic Jazz. With its deep pockets, lush soundscapes, and room for experimentation, the label produced some of the most innovative music of the era.”
Khan’s description of Impulse! Records as a home for Cosmic Jazz emphasizes the significance of record labels in the growth and evolution of jazz music. Impulse! Records, in particular, was known for allowing artists the freedom to experiment, which resulted in some of the most groundbreaking jazz recordings of the time.
Tom Moon, another notable jazz critic, wrote in his book “1000 Recordings to Hear Before You Die,” that “Cosmic Jazz was a dreamy, impressionistic type of jazz that was unafraid of spacy sounds, science fiction allusions, and the aesthetic of the counterculture.”
Moon’s description of Cosmic Jazz as a “dreamy, impressionistic type of jazz” highlights its ethereal quality. Cosmic Jazz is often associated with otherworldly and transcendent sounds that transport listeners to a different dimension.
The civil rights movement of the 1960s greatly impacted the music industry. African Americans, who had been marginalized for years, started to gain prominence in the industry. As a result, Jazz, which originated in African American communities, was given more attention. Jazz musicians such as Miles Davis, John Coltrane, and Herbie Hancock played a significant role in making Jazz more accessible to a wider audience through their experimental and innovative styles.
The Hippie subculture also played a part in shaping the context of Cosmic Jazz. The hippie movement was a counterculture that grew in the 1960s and was characterized by a rejection of mainstream values. Hippies embraced music that was experimental and unconventional. This is why Cosmic Jazz appealed so much to the hippie community. The psychedelic and improvisational aspect of Cosmic Jazz was the perfect fit for their political and social beliefs.
Technological advancements also played a significant role in the development of Cosmic Jazz. The introduction of electric instruments allowed Jazz musicians to explore new sounds and styles that were not possible before. The electric guitar, in particular, became an important instrument in the genre. The use of electric instruments allowed Jazz musicians to experiment with new sounds and textures, which helped define the sound of Cosmic Jazz.
Notable record labels that played an important role in the development of Cosmic Jazz include Impulse! Records and Blue Note Records. Impulse! Records was especially important as it signed many of the pioneering Cosmic Jazz artists such as John Coltrane, Alice Coltrane, and Pharoah Sanders. Impulse! Records’ focus on experimental sounds allowed musicians to experiment with new sounds that would later contribute to the development of Cosmic Jazz. Blue Note Records also played a significant role in the development of Cosmic Jazz by releasing albums by artists such as Herbie Hancock, Wayne Shorter, and Donald Byrd.
Journalists also played an important role in promoting Cosmic Jazz. One of the most notable journalists was Nat Hentoff, who wrote for DownBeat magazine. He helped bring Jazz musicians who were experimenting with new sounds to the forefront of the genre.
Another important figure in the development of Cosmic Jazz was Sun Ra. Sun Ra was an experimental Jazz musician who embraced the use of electronic instruments and the exploration of new sounds. He was known for his theatrical performances and his Afrofuturistic approach to music. He was an important influence on the Cosmic Jazz movement, and his music continues to inspire musicians today.
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